Mine was just as loud, but just in a small venue. And they were like, “We’ve never heard anything that loud.” I used the Clair brothers sound people that do all the Travis and Kanye shows. I’ve heard reviews of friends that brought EDM DJs to the show and different people. I started with big bass notes to scare the s**t out of everyone in the venue. I’d say it was an hour of improvisations. I want to get up on stage and show my ass and improvise and just… ” And it was. And I said, “Yeah, but I want to play synths. She was like, “Do you want to play a show?” Somebody, they wanted me to DJ. No, I was just up on a house, maybe four layers up, next to the top layer, running the songs off my computer.”ĭean also explained the origins of ECHOPLEX (Live 2021), which was a show that he improvised: I definitely looked at how the crowd moved to different songs… because I was up in the top of the stadium, deejaying the whole thing. He took all the information he got from everyone, including online reviews, personal friends’ reviews, and he just kind of digest it all and adjust the album the way he wants. “And after each one, I think he wanted… I can’t talk too much about his process. So each listening party was like a test kind of,” Dean shared. For this album, it was… I mean, Kanye had three listening parties. It was grueling, lots of hours, lots of changes. The revered producer didn’t dive into Ye’s process too much, but did reveal that the rapper absorbed a lot of the reviews and reactions he was getting from the listening parties.